Wimbeldon
Discription: This photo shows Jean Borotra who puts Richards out of Wimbledon. French tennis legend Jean Borotra, also known as the Bounding Basque, was the first Frenchman to ever triumph at Wimbledon. In total, Borotra won 85 tournaments throughout his career, including 59 titles in France and made his last Davis Cup appearance in 1947 at the age of 50.
On this photo he is wearing his trademark black beret. He played his matches with an infectious flare and excitement. This excitement was often heightened when he began to kiss the hands of female spectators during play. Borotra was every bit as energetic and extroverted on the court. Bill Tilden called him “unquestionably the most difficult man to play against,” and not just because of the Frenchman’s precise serves and relentless forward motion. He danced back and forth across the line between entertainment and gamesmanship, wearing down opponents psychologically before unleashing his trademark overhead smashes. The American’s feelings couldn’t have been any more mixed: “Borotra was the artist and charlatan of the French; undoubtedly, the greatest showman and faker in tennis history.”
But for a man born in 1898, patriotism meant more than just winning trophies. He joined the army upon his 18th birthday, eventually seeing combat in World War I. He was awarded the Croix de Guerre, and superiors encouraged him to pursue a military career. Borotra chose business instead, joining a firm that sold petrol pumps. His tennis commitments were carefully scheduled around his professional appointments, so he often found himself rushing to a match before he could don his trademark beret and begin charging the net.
Date: July 3, 1924
Artist: unknown
Product type: silver gelatine print
Authentication: Stamp on the back
Dimensions: 22 cm x 16,6 cm
Condition
Shipping
Mounting and Framing
We will provide additional high-res photographs for closer examination on request. Please e-mail your request to info@dof.amsterdam
The condition of a photograph generally, but not always, affects the overall value of the work. In early photography, condition issues are to be expected given the age of the print.
Press prints, by their nature, were handled more than fine-art prints because of their use for disseminating information, which explains why they may have more creases.