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DEPTH OF FIELD

Early racing 1912
  • Early racing 1912

    € 325,00Price
    VAT Included

    Title: Victor Rigal finished 3rd in the 1912 Grand Prix de France in Dieppe on a Sunbeam.

     

    Artist: unknown

    Product type: photograph postcard

     

    Authentication: Signed on verso:  1912 ACF Rigal sunbeam

     

    Dimensions: 12,9 cm x 17,8 cm

     

    The 1912 Grand Prix season saw Grand Prix motor racing in Europe and the United States. The growing economic confidence and interest from car manufacturers saw bigger fields and more races in the season. The French Grand Prix was held for the first time since 1908 and staged at Dieppe. The American Grand Prize was held in Milwaukee, moving from its previous home in Savannah.

    Peugeot was the team to beat this year, with their new twin-cam 7.6-litre L-76. In the French Grand Prix, after American David Bruce-Brown’s FIAT had retired after leading for most of the two-day race, victory went to the Peugeot of Georges Boillot. Team-mate Jules Goux repeated the success at the Coupe de la Sarthe held at Le Mans. The Peugeot voiturettes had also won at Le Mans and Ostende. However, it was a British Sunbeam that was first voiturette home at Dieppe.

    In the three big races in the United States Joe Dawson won the second running of the Indianapolis 500. Ralph DePalma beat a small field in the Vanderbilt Cup. In the American Grand Prize held over the same weekend, rising star David Bruce-Brown was killed in practice while Caleb Bragg won the race in a FIAT S74. This year no European drivers travelled across the Atlantic for the events. With four victories over the season, Ralph DePalma driving a Mercedes, was acclaimed as the AAA national champion for the year.

    We will  provide additional high-res photographs for closer examination on request. Please e-mail your request to info@dof.amsterdam

     

    The condition of a photograph generally, but not always, affects the overall value of the work. In early  photography, condition issues are to be expected given the age of the print.

     

    Press prints, by their nature, were handled more than fine-art prints because of their use for disseminating information, which explains why they may have more creases. 

    Dealer in original historical

    and fine art photographic prints

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